Sunday, January 30, 2011

Into Great Silence ***


Original Title: Die große Stille

Writer/Director: Philip Gröning
Year: 2005

A documentary on the contemplative life of prayer as observed by the Carthusian Order in France. No voice over explaining why, or what, or how... instead, the great decision by this director was to simply observe, to follow, in silence... and it makes sense. You don't need explanation... by simply observing, the contemplative life reveals itself to the audience. Beautiful, and meditative, but it can be difficult to sit through without falling asleep.

The Kids Are All Right ****


Director: Lisa Cholodenko
Year: 2010
Writers: Lisa Cholodenko, Stuart Blumberg
Cinematographer: Igor Jadue-Lillo

Most real family interaction that I've seen in a movie, great family-affirming drama. The one thing I found to be a distracting stretch was how eager the film was to wrap up. I felt that it resolved the cheating spouse issue a little too quickly, I didn't believe that Annette Bening's character would be able to get over that betrayal. It tried to explain it, and I almost believed it, I wanted to... but it was just too soon, too fresh a betrayal to believe that she could start moving past it already. Aside from that instance, I think Cholodenko deserves praise for her realistic understanding of human emotion in her writing parts for teens (who are almost never depicted realistically on screen) and family tensions. Annette Bening is the stand-out performance here, but not quite enough to take the oscar in my opinion.

The Social Network ****


Director: David Fincher
Year: 2010
Book by: Ben Mezrich
Adapted by: Aaron Sorkin
Cinematographer: Jeff Cronenweth

If Aaron Sorkin doesn't win best screenplay, I'll be shocked. The dialogue was so much fun, the way the story was woven did so much more than avoid being boring, it was completely engrossing. It was fascinating. I liked Jesse Eisenberg a lot in this, but was really blown away by supporting actors Andrew Garfield and Armie Hammer. Andrew Garfield would get my best supporting actor this year. As always, Fincher's moods and glossy cinematography were beautiful. Great use of music.

Black Swan *****


Director: Darren Aronofsky
Year: 2010
Writers: Mark Heyman, Andres Heinz, John J. McLaughlin
Cinematographer: Matthew Libatique

Visceral. I was unsettled. I flinched. I got lost in it, yet the precise use of symbolism was, like in The Fountain, not complicated, but simple, logical, clean. Every single decision Aronofsky made here made sense to me. I like that he let the audience experience her psychosis, her fear of the endless series of little pricks that put her and us on edge, fearing little things, making us feel stress and anxiety... just, perfect I thought. Another great film from Aronofsky who for me has really solidified himself as one of the best directors working today... he is consistent and I have loved every single one of his films; there aren't many directors of whom I can say that. I hope he gets the best director nod this year. And Natalie Portman blew me away. Until now I was always on the fence about her acting, but wow, she really deserves the best actress for this. I bought her in every scene, every emotional transition, from the "white swan" innocence, fear, anxiety, frailty in a dangerous world surrounded by dark figures... to her psychotic transformation into the "black swan" who embraces and becomes part of the dark world of the ballet company... I was really impressed. This will join my dvd collection someday.

Sunday, January 23, 2011

The Spirit of the Beehive ****


Original Title: El espíritu de la colmena
Director: Víctor Erice
Year: 1973
Writers: Víctor Erice, Ángel Fernández Santos, Francisco J. Querejeta
Cinematographer: Luis Cuadrado

Monday, January 3, 2011

Airplane! ****


Directors: Jim Abrahams, David Zucker, Jerry Zucker
Year: 1980
Writers: Jim Abrahams, David Zucker, Jerry Zucker
Cinematographer: Joseph F. Biroc

True Grit ****


Directors: Coen Brothers
Year: 2010
Based on the novel by: Charles Portis
Adapted by: Joel and Ethan Coen
Cinematographer: Roger Deakins