Writer/Director: Terrence Malick
Year: 2011
Cinematographer: Emmanuel Lubezki
If you're not already familiar with the work of Terrence Malick, I would suggest you prepare before watching this film. Read the book of Job, and then when you sit down in front of this film, don't expect a narrative retelling of the book of Job, but rather a poetic and personal adaptation... Malick riffs on the ideas present in the book of Job, not by telling a similar story, but by conveying a poetry of images that conjure the mood, and allows the audience to breathe the spellbinding, misty fog of dreams and memories of people who have lived a human experience.
This film is epic. It zooms out to the universe and then in to the microscopic underpinnings of life before focusing in on a family in the 50's in Waco, Texas, presumably remembered and dreamed by Malick himself. A family tragedy is explained purely through context. The tragedy itself is not included nor is it explained. But the emotional impact of that tragedy is meditated upon. We hear the players question God in their prayers, but whereas in the book of Job God finally answered in word, Malick delivers a vision... God's response in images, putting life into context, showing its true minuteness, and its miracle. Life is a delicate balance between the brutal forces of nature and the light of grace. Life is a paradox. Life is mysterious. Life is God's to give and God's to take away... or more importantly, God's to understand. Our role is simply to be in awe of it, to try to find our place in it and be thankful for it though we can not comprehend its boundaries.
This is what I think Malick is meditating on. He communicates not narratively but more like a classical composer. He does not sing the lyrics of his emotions, he builds the mood that will cause you to feel what he feels.
That is why this is a masterpiece of cinema.
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